'Look at me when I'm talking to you...' (Photograph: Jeff Vespa/Contour by Getty Images) |
It’s not just fictional characters she keeps at arm’s
length. In real life, Rampling has refused the temptation of the plastic
surgeon’s knife. You’ve got to wait, not panic, you need your face to grow with
you, she has said. Instead, she embodies a certain European, age-less froideur (born British, but raised and lives in
France) that flies in the face of the gossip magazines fixated on Bright Young Things. You get the impression
that today’s obligatory red carpet demands would be a real chore for an actor synonymous
with Seventies art-house controversy. On the odd occasion you see her appear there at
all, she’s most likely clad in a tuxedo. Likewise, you feel the chit-chat of
so much of the celebrity interview would be a bore to the woman awarded the title of Dame under France's Legion d'Honneur in 2002.
But when asked about ageing, as she inevitably is these days, she
brings to the subject an intelligence that looks beyond the undeniable,
but fleeting, beauty of youth. In The Look: Charlotte Rampling, the 2011
documentary by Angelina Maccarone, ‘Age’ is one of the topics the actor
discusses with writer Paul Auster.
“You wake up and you are one day older. You get on with it,
you cannot avoid reality,” she says in the film. “Nothing stays as it is, but
when you talk about beauty fading, it becomes something else. If you have that
sparkle behind the eyes, that stays.” Her sister Sarah, who died of suicide at
23, was beautiful, says Rampling, adding that she felt her own face was
‘strange’ and with eyes ‘heavy-lidded’. But
the camera continues to love her, and it’s that photogenic quality that led to
her involvement in the Nars cosmetic campaign for the Audacious Lipstick range in 2014, age 68.
Francois Nars,
for whom Rampling has long been a ‘muse’, shot the images featured in Vogue
last spring. Similarly, designer
Marc Jacobs, who has an interest in what he calls ‘the imperfection of what’s
real’, featured a near-naked Rampling in an edgy ad campaign for his 2004 and 2009 collections.
Photographer Juergen Teller has also been a long-time collaborator with
Rampling. He has said he eschews photo-correction or re-touching in his images, preferring reality to artifice. When he
wanted to photograph a female, post-menopausal nude, Rampling was his perfect
model because, as she has also said, beauty is only skin deep, while attraction
and desire are things impossible to get to the bottom of.
"Audacious? Moi?" Nars 2014 campaign |
“Desire is within you. It’s a formidable tool. Some people
keep it alive, on and on. It can be a feeling a person gives you. It may not
always be sexual, it may be that you just want to be with them,” she says. In
The Damned, she played at character 10 years older than her then 23. Age has fluidity,
she suggests, again quoting director Visconti, who told her at that time, “You
are any age. It’s all behind the eyes, it’s the soul.”
Great to looking your best back. X
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